
Highly influenced by blues artists
but approaching things with a songwriting sensibility, Vulnerable
Things have created a sound that is all their own. With influences
ranging from Tom Waits and Black Keys to Dr John and Ray Charles,
their eponymous album on Bluesinlondon Records is a set of intense
tales and personal songs that sit together perfectly.
Live shows have been the bands staple
since forming in 2004. Besides infiltrating the saturated Indie
scene in London with their own take on modern blues they have
performed at Bristol Blues Festival and The Future of The Blues
Festival. They have supported Wilko Johnson, Dr Feelgood and
The Blockheads as well as gigging regularly at the ‘Ain’t
Nothin But…’ Blues Bar in London as well as The
Dublin Castle & The Hope & Anchor.
The passionate raw vocals and guitar
of singer/songwriter GP Bennett are complimented by the laid
back feel of guitarist Lewis Hodgkinson, bassist Keith Lovell,
and drummer Ed Green. They form a tight unit experienced beyond
their years, taking on the blues from a different angle while
injecting a level of soul and feeling rarely achieved by contemporary
artists.
Having been nominated and short listed
for the 2007 & 2008 UK INDY Awards, the band strongly believes
they have an important role to play in turning younger audiences
onto the blues.
Vulnerable Things are a band worth
talking about.


VULNERABLE THINGS - THE ALBUM
In a genre when song writing is all
too often not at the forefront, and where youth has long stopped
being a catalyst, it's refreshing to hear a young band with an
album of impressive self-penned material that explores the blues
and its branches. There is still a comforting retro feel about
the Vulnerable Things debut release but their approach and attitude
towards performance is nothing but modern.
Recorded in Belsize Park over 2 days,
and pulled together by the talented hands of producer Ash Vigor,
the debut album from Vulnerable Things is a look into the future
of blues and roots influenced music. 11 songs penned by front
man GP Bennett; tales of hard times, small town frustration and
falling in with the wrong crowds. With its lean arrangements
and instant hooks, it looks to be a blues classic for the new
century.
The opening track - 15 Voices - recounts
the struggle to define themselves and the need to do so in a
genre beset by guitar solos and a loss of innovation. The following
songs share themes of alienation and frustration (Already Gone,
Brooklyn Bound), dangerous company (Jack High, I Got The Pistols),
unrequited love (Maybeline) and dysfunctional families (Something
In The Water). They are dark and personal but shot through with
humour and wit (Skinny Man, Maybeline). The Vulnerable Things'
lean arrangements are augmented by harmonica on several tracks
(Brooklyn Bound, Maybeline, Something in The Water), and heightened
by the punchy production by Ash Vigor.

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